BurnSoo Song’s practice spans tapestry, woodblock print, screenprint, and spatial installation, unified by a single conviction: that material is meaning.

Works are presented here by series, each representing a distinct body of inquiry within a career of sustained exploration.

Artwork

Woodblock Prints

Song Burnsoo entered the Korean art world through printmaking in the 1960s, producing works that hold an important position in the history of Korean contemporary print.

Tapestry

After studying in Paris, tapestry became the medium through which Song Burnsoo's signature thorn imagery reached monumental scale, elevating Korean fiber art on the international stage.

Screenprint

His silkscreen works from the 1970s carried political and social messages through the photo-emulsion process, bridging pop art sensibility with Korean postwar reality.

Six framed artworks arranged in a diamond pattern on a white gallery wall. Each features a portrait of a person wearing glasses and a gas mask, with vibrant colors: blue, red, yellow, green, and purple. The artworks have a dark background and include some handwritten text at the bottom.

Scenographic & Spatial Design

Large-scale commissions for public spaces and sacred architecture, including the only tapestry to adorn a cathedral altar in South Korea.